In this lesson, we’ll learn a great blues break in the key of G. At a groovy, slow tempo, this blues is fun to play and is packed full of lots of great licks and ideas! We’ll cover the G7, C7 & D7 chord positions, looking at the major pentatonic, minor pentatonic & dominant 7th arpeggio patterns, and how the tones of the these patterns can be blended to create some great ideas, with a lot of analysis while we cover the licks. Go to lesson...
In this third instalment of Bluegrass Licks, we’ll dive into improvising up & down the neck, in the key of G. We’ll focus on three triad shapes with surrounding major blues scale boxes, which are all movable and can be used for any chord or key. The example break and licks are played over the G, C & D chords, while looking at how to link and transition between the chords as we move into positions up the neck. Go to lesson...
In this second instalment of Bluegrass Licks on the mandolin, we’ll dive into a movable set of licks, demonstrated in the key of B, but can be applied to any key or chord! We’ll focus on licks in two connected scale positions, linked with two double positions, a bunch of example licks and an example break over a standard chord progression using the 1 4 & 5 chords. Go to lesson...
In many styles of music, having some knowledge of how to phrase licks and ‘get the sound’ is important, and in this lesson, we’ll do exactly that, by learning some great sounding bluegrass licks! In the key of G, we’ll focus on licks played over the G, C & D chords, while looking at how to link and transition between the chords. Go to lesson...
Let’s learn a blues lead break in the key of G on the mandolin! 12 bar blues with a shuffle feel, twice round, with lots of licks using the major & minor blues scale, up & down the neck. Also featuring double stops, slides, hammer-ons, pull-offs and a bend, this will certainly challenge the advancing picker! Go to lesson...
In this mandolin lesson, we’ll learn a Blues in G, combining both rhythm & lead in the one arrangement. With 2 variations over the 12 bar blues, lots of licks & rhythm variation, this is a lot of fun on the mandolin! It works well at a variety of tempos, as a solo piece or with accompaniment. Go to lesson...
In the fifth Mandolin Essentials lesson, we’ll continue to cover how to link double stops with scales & arpeggios in one streamlined position. This lesson will cover an adjacent position, which we can combine with what we covered in part 1.
It’s an important skill for improvisation, melody/break construction, fill licks, etc. Go to lesson...
In the fourth Mandolin Essentials lesson, we’ll cover how to link double stops with scales & arpeggios in one streamlined position. It’s an important skill for improvisation, melody/break construction, fill licks, etc. If you’re wanting to improve your improv, having a sound knowledge of these closed position patterns will grow your mandolin muscles ready for the next time a break comes along…in any key! Go to lesson...
In the third Mandolin Essentials lesson, we’ll cover the Key of D minor, played in the open position. It’s another great key that shares the same key signature as F Major. There are a number of great tunes in Dm, and having a sound knowledge in the open position will grow your mandolin muscles ready for the next time a song comes along in the key! Go to lesson...
In the second Mandolin Essentials lesson, we’ll cover the Key of Bb Major, played in the open position. It’s another great key, often used in bluegrass, that can easily be overlooked as a mandolin player, yet is quite easy to play in the open position. Areas of study include: