Boston Boy is a great American fiddle tune, played in the key of C. This arrangement on the guitar is a variation that is inspired by the playing of Kenny Baker and is well suited to the advanced picker. It’s a fun tune to pick, makes use of some efficient slurs and rolls along quite nicely! Go to lesson...
In this 5-string banjo lesson, we’ll look at a bunch of melodic & single-string lick ideas, up & down the neck in the key of C (standard tuning). In the lesson we’ll cover licks for the 1 4 & 5 chords (C F G), analyse the ideas and learn the scales & arpeggio shapes that have help build the licks.
In this sixth volume of Bluegrass licks on the guitar, we’ll follow up on the previous lesson in the key of C. This time we’ll cover licks for the 1 4 5 & 6m chords (C F G Am) both up & down the neck that incorporate the major blues scale, arpeggios, triads, all while building on concepts and ideas from the previous lessons. Go to lesson...
In this fifth volume of Bluegrass licks on the guitar, we’ll look at a bunch of lick ideas in the key of C. In the lesson we’ll cover licks for the 1 4 & 5 chords (C F G), analyse the ideas and learn the scales & arpeggio shapes that have help build the licks. Go to lesson...
In this mandolin lesson, we’ll take a look at O’Carolan #174, written by the blind Irish harpist Turlough O’Carolan in the 17th century. Well suited to the advancing beginner picker, the tune serves as a perfect study to develop right-hand technique in the 6/8 time signature. The title, devoid of a specific name, reflects the historical convention of cataloging O’Carolan’s vast repertoire by number. Go to lesson...
In this melodic banjo lesson, we’ll take a look at O’Carolan #174, written by the blind Irish harpist Turlough O’Carolan in the 17th century. The title, devoid of a specific name, reflects the historical convention of cataloging O’Carolan’s vast repertoire by number. #174 captivates with its intricate harmonies and emotive nuances, and this arrangement takes the beautiful melody and sets it on the banjo in a melodic style, very much creating a ‘harp’ like sound, well suited to the intermediate melodic picker.
In this fingerstyle guitar lesson, we’ll take a look at O’Carolan #174, written by the blind Irish harpist Turlough O’Carolan in the 17th century. The title, devoid of a specific name, reflects the historical convention of cataloging O’Carolan’s vast repertoire by number. #174 captivates with its intricate harmonies and emotive nuances, and this arrangement takes the beautiful melody and develops the harmony and movement for the advancing fingerstyle guitarist. Go to lesson...
In this flatpicking guitar lesson we’ll take a look at Billy in the Low Ground, a popular fiddle tune played in the key of C. There are 2 variations in this arrangement, a basic, intermediate version and a more advanced variation. Spending some time on this tune will certainly develop your picking and will be a great addition to your session tune list! Go to lesson...
‘In The Sweet By And By’ is a popular, old gospel song that is always a great session sing-along! In the key of C, this arrangement features some lovely crosspicking, with a variation for both the verse & chorus melodies. I’d suggest this tune is suited to the advanced picker, but as always, in this lesson we’ll break down the tune and look at some helpful tips. Go to lesson...
G’day! In this mandolin lesson we’ll take a look at Billy in the Low Ground, a popular fiddle tune played in the key of C. There are 2 variations in this arrangement, a basic, intermediate version and a more advanced variation. The lesson also includes technical work which covers some of the fundamental technique required for the tune & your general playing! Go to lesson...