In lesson 11 of the Beginner Mandolin Crash Course, we’ll dive in to two new techniques: the crosspicking technique and slides! As part of the lesson we’ll learn an arrangement of Banks of the Ohio in the key of G that features both of these techniques, plus some cool beginner friendly bluegrass licks to wrap up the break! Go to lesson...
In this 5-string banjo lesson, we’ll look at a bunch of melodic & single-string lick ideas, up & down the neck in the key of C (standard tuning). In the lesson we’ll cover licks for the 1 4 & 5 chords (C F G), analyse the ideas and learn the scales & arpeggio shapes that have help build the licks.
In this sixth volume of Bluegrass licks on the guitar, we’ll follow up on the previous lesson in the key of C. This time we’ll cover licks for the 1 4 5 & 6m chords (C F G Am) both up & down the neck that incorporate the major blues scale, arpeggios, triads, all while building on concepts and ideas from the previous lessons. Go to lesson...
Carolan’s Welcome is a traditional air (3/4), composed by Turlough O’Carolan. This arrangement on the mandolin is in the key of Am, is a great tremolo study and is well suited to the intermediate picker. All of O’Carolan’s melodies are beautiful and this is no exception. Played at a relatively moderate tempo, in the lesson we’ll break down the melody and technique and work through several exercises to help you get on top of the tremolo. Go to lesson...
In this fifth volume of Bluegrass licks on the guitar, we’ll look at a bunch of lick ideas in the key of C. In the lesson we’ll cover licks for the 1 4 & 5 chords (C F G), analyse the ideas and learn the scales & arpeggio shapes that have help build the licks. Go to lesson...
In this fourth volume of Bluegrass licks on the guitar, we’ll focus on applying licks to a melody. In the lesson we’ll be using the melody from ‘My Walkin’ Shoes’ in the key of B (capo 4), utilising the ‘G’ shapes against the capo, so can be transposed easily. There are two breaks in the lesson, and we’ll analyse both breaks against the basic melody and chord progression, working through the thought process and application of a variety of licks from the earlier lessons – some more generic, and others that are manipulated to fit the melody and even harmonise against it. Go to lesson...
The Finnish Polka is a traditional polka, in the key of Bm, featuring the 2/4 time signature and played at quite a brisk tempo. For the intermediate picker wanting to work on increasing speed, this lively tune is a great technique workout for the right-hand, but equally as fun for the more experienced picker! Go to lesson...
The Finnish Polka is a traditional polka, in the key of Bm. This arrangement is played with the capo at fret 2, and features the 2/4 time signature, played at quite a brisk tempo. For the intermediate picker wanting to work on increasing speed, this lively tune is a great technique workout for the right-hand, but equally as fun for the more experienced picker! Go to lesson...
Fairmoy Lasses is a traditional Irish reel, in the key of Em in Part A and moves to G in Part B. Played at a fast tempo, it certainly suits the advanced picker, but also makes for a great technical exercise. The melody is fairly simple and in the lesson we’ll cover strategies you can use to help increase your tempo while learning the tune. Go to lesson...
In this third instalment of Bluegrass Licks, we’ll dive into improvising up & down the neck, in the key of G. We’ll focus on three triad shapes with surrounding major blues scale boxes, which are all movable and can be used for any chord or key. The example break and licks are played over the G, C & D chords, while looking at how to link and transition between the chords as we move into positions up the neck. Go to lesson...