Carolan’s Welcome is a traditional air (3/4), composed by Turlough O’Carolan. This arrangement on the mandolin is in the key of Am, is a great tremolo study and is well suited to the intermediate picker. All of O’Carolan’s melodies are beautiful and this is no exception. Played at a relatively moderate tempo, in the lesson we’ll break down the melody and technique and work through several exercises to help you get on top of the tremolo. Go to lesson...
Carolan’s Welcome is a traditional air (3/4), composed by Turlough O’Carolan. This chord melody arrangement on the 5-string banjo is in the key of Am, played out of standard tuning (gDGBD) and is well suited to the advanced picker. All of O’Carolan’s melodies are beautiful and this is no exception. Played at a relatively moderate tempo, there are some challenging positions to work through, but well worth the effort to get your fingers around the tune.
Carolan’s Welcome is a traditional air (3/4), composed by Turlough O’Carolan. This fingerstyle arrangement on the guitar is in the key of Am, played out of standard tuning and is well suited to the advanced picker. All of O’Carolan’s melodies are beautiful and this is no exception. Played at a relatively fast tempo, there are some challenging positions to work through, but well worth the effort to get your fingers around the tune. Go to lesson...
Fanny Power is a beautiful tune composed by Turlough O’Carolan. It is an Air, that has a sweet sounding melody, played in the key of G, in the 6/8 time signature. In this fingerstyle arrangement, the melody is supported by bass lines from the harmony, delivering a wonderful combination of movement between the melody. Go to lesson...
In this mandolin lesson, we’ll take a look at O’Carolan #174, written by the blind Irish harpist Turlough O’Carolan in the 17th century. Well suited to the advancing beginner picker, the tune serves as a perfect study to develop right-hand technique in the 6/8 time signature. The title, devoid of a specific name, reflects the historical convention of cataloging O’Carolan’s vast repertoire by number. Go to lesson...
In this melodic banjo lesson, we’ll take a look at O’Carolan #174, written by the blind Irish harpist Turlough O’Carolan in the 17th century. The title, devoid of a specific name, reflects the historical convention of cataloging O’Carolan’s vast repertoire by number. #174 captivates with its intricate harmonies and emotive nuances, and this arrangement takes the beautiful melody and sets it on the banjo in a melodic style, very much creating a ‘harp’ like sound, well suited to the intermediate melodic picker.
In this fingerstyle guitar lesson, we’ll take a look at O’Carolan #174, written by the blind Irish harpist Turlough O’Carolan in the 17th century. The title, devoid of a specific name, reflects the historical convention of cataloging O’Carolan’s vast repertoire by number. #174 captivates with its intricate harmonies and emotive nuances, and this arrangement takes the beautiful melody and develops the harmony and movement for the advancing fingerstyle guitarist. Go to lesson...
Eleanor Plunkett is an Air (3/4), composed by Turlough O’Carolan and in the key of G. It has a very sweet melody, moves along gently and very rewarding to play. In this arrangement, we’ll learn a fingerstyle version, well suited to the intermediate picker wanting a challenge and sounds great played solo or with accompaniment, take your pick! Go to lesson...
Eleanor Plunkett is an Air (3/4), composed by Turlough O’Carolan and in the key of G. It has a very sweet melody, moves along gently and very rewarding to play. This arrangement is in a chord melody style, well suited to the intermediate picker wanting a challenge and sounds great played solo or with accompaniment, take your pick! Go to lesson...
O’Carolan’s Draught is a beautiful Turlough O’Carolan melody, in the key of G. In this fingerstyle arrangement, we have some great movement and some challenging left-hand positions, suited to the advanced player. In the lesson we’ll break down the technique, fingering and positions for both A & B. Played at a slow tempo, this piece is a challenge, but very rewarding and well worth getting to know. Go to lesson...