Estudio is a piece composed by Dionisio Aguado (1784-1849), who was a Spanish guitarist & composer during the late Classical & early Romantic periods. It is a popular beginner classical guitar piece, that sounds quite intriguing & haunting when picked on the banjo.
Typically played in Am, this arrangement is in key of Gm for the banjo, played up the neck to allow for the note range required. Go to lesson...
Arpeggios are broken chords, in other words, the notes used to form a chord, played individually. Understanding how arpeggios are built and fluently being able to play many arpeggio variations will help your playing on all levels – improv, melody creation/analysis, building harmony lines, back-up…
In this Guitar Arpeggios 101 mini-course, we’ll cover:
In this mandolin lesson we’ll follow up the Mandolin Arpeggios 101 mini-course by learning and analysing 13 licks that feature & focus on arpeggios. Make sure you’ve learnt the arpeggio patterns in the previous lesson, as in this lesson we won’t spend much time on the patterns, but rather analyse how to use them. Go to lesson...
Arpeggios are broken chords, in other words, the notes used to form a chord, played individually. Understanding how arpeggios are built and fluently being able to play many arpeggio variations will help your playing on all levels – improv, melody creation/analysis, building harmony lines, back-up…
In this Mandolin Arpeggios 101 mini-course, we’ll cover:
In this mandolin lesson we’ll take a look at some ‘Waltz Time’ Licks using the blues scale, major blues scale and arpeggios. Waltz time is the 3/4 time signature & all of these examples are in the key of A, but are movable in both open & closed positions. Other techniques we’ll be focusing on are down stroke picking, double stops & tremolo. Go to lesson...
G’day! In this mandolin lesson we’ll take a look at some Blues Licks using the blues scale, major blues scale and arpeggios for the chords in the 12 bar blues, played in G. Other techniques we’ll be focusing on are down stroke picking, double stops & tremolo. The licks & concepts in this lesson will be suited to the advancing intermediate picker, wanting to develop their improvising skills. Go to lesson...
G’day! In this banjo lesson we’ll take a look at a Blues Shuffle using the blues scale, major blues scale and arpeggios for the chords in the 12 bar blues, played in G, plus we’ll also learn a number of licks to suit these chords.
This is the fourth blues lesson for the banjo, make sure you start with Blues Scale: Banjo Lesson where we cover some of the scales and arpeggios we’ll be using, plus there are a bunch more licks to learn first! Go to lesson...
G’day! In this Fill Licks #2: Mandolin Lesson we’ll take a look at 6 movable licks that are built with the hybrid mixolydian blues scale. Make sure you’ve checked out the first Fill Licks: Mandolin Lesson as we are using the same scales, arpeggio patterns & theory when playing these new licks. Go to lesson...
G’day! In this Fill Licks: Mandolin Lesson we’ll take a look at 4 movable licks that are built with the hybrid mixolydian blues scale. These licks work great when played between vocal phrases in a song, but can also be used in general improvisation. The licks are all positioned conveniently around their equivalent chop chord. Go to lesson...
G’day! In this mandolin lesson we’ll take a look at nine hot licks that are built with the major blues scale. We’re in the key of G for this lesson, with licks over the G, C & D chords in both the open position and up the neck. As part of this lesson we’ll dive into a little theory (major blues scale in open & movable patterns, plus the major arpeggio found inside the scale) to help you understand how to use these licks and also start to build your own! Go to lesson...