Grandfather’s Clock is a song by Henry Clay Work (1876) that has a wonderful melody that we’ll learn on the 5-string banjo. In this arrangement, there are two variations featuring the single-string and melodic techniques, and playing both up and down the neck. Played in the key of G (standard tuning), this version of the song is well suited to the intermediate picker, working as a great study for the techniques featured.
Let’s learn a blues lead break in the key of G on the mandolin! 12 bar blues with a shuffle feel, twice round, with lots of licks using the major & minor blues scale, up & down the neck. Also featuring double stops, slides, hammer-ons, pull-offs and a bend, this will certainly challenge the advancing picker! Go to lesson...
Eleanor Plunkett is an Air (3/4), composed by Turlough O’Carolan and in the key of G. It has a very sweet melody, moves along gently and very rewarding to play. In this arrangement, we’ll learn a fingerstyle version, well suited to the intermediate picker wanting a challenge and sounds great played solo or with accompaniment, take your pick! Go to lesson...
Eleanor Plunkett is an Air (3/4), composed by Turlough O’Carolan and in the key of G. It has a very sweet melody, moves along gently and very rewarding to play. This arrangement is in a chord melody style, well suited to the intermediate picker wanting a challenge and sounds great played solo or with accompaniment, take your pick! Go to lesson...
In this banjo lesson, we’ll learn a Shuffle Blues in G, combining both rhythm & lead in the one arrangement. With 2 variations over the 12 bar blues, lots of melodic & single-string licks & rhythm variation, this is a lot of fun on the banjo! It works well at a variety of tempos, as a solo piece or with accompaniment. Go to lesson...
In this mandolin lesson, we’ll learn a Blues in G, combining both rhythm & lead in the one arrangement. With 2 variations over the 12 bar blues, lots of licks & rhythm variation, this is a lot of fun on the mandolin! It works well at a variety of tempos, as a solo piece or with accompaniment. Go to lesson...
Southwind is a traditional Irish waltz, played in the key of G (standard tuning). It has a very beautiful melody that we’ll first learn in its basic form using the melodic technique, then spice it up with a chord melody arrangement that ventures up the neck. While the basic melody is very simple, I’d suggest the more advanced variation of the tune is suited to the intermediate picker. Go to lesson...
Southwind is a traditional Irish waltz, played in the key of G. It has a very beautiful melody that we’ll learn in a fingerstyle arrangement, in 2 different variations. First, we’ll first learn it in its basic form, with minimal support from the bass notes found in the harmony. Then we’ll spice it up with a more advanced arrangement that features more support and embellishment around the melody. Go to lesson...
Southwind is a traditional Irish waltz, played in the key of G. It has a very beautiful melody that we’ll first learn in its basic form, then spice it up with a chord melody arrangement that also features a little crosspicking. While the basic melody is very simple, I’d suggest the more advanced variation of the tune is suited to the intermediate picker. Go to lesson...
The Three Sea Captains is a traditional Irish jig, played at a medium tempo, in the key of G (standard tuning). With a jolly melody, both the A & B parts are longer than the usual fiddle tune, making for a more substantial tune to pick. I’d suggest that you need to be comfortable with the jig structure, as this tune takes it up a notch with a variety of rhythmic variation featured throughout, making this tune more suited to the advanced intermediate picker. Go to lesson...