King Of The Fairies is a traditional Irish hornpipe, in the key of Em. This arrangement is well suited to the intermediate picker with a nice variety of articulation, rhythm variation and ornaments. It has a very intriguing melody, which is really great to play on the mandolin and in this lesson we’ll cover how to capture the hornpipe feel and the challenging melody we’re faced with. Go to lesson...
King Of The Fairies is a traditional Irish hornpipe, in the key of Em (standard tuning). It has a very intriguing melody, which is really great to play on the banjo, and in this lesson we’ll cover how to capture the hornpipe feel and the challenging hand positions we’re faced with.
Father O’Flynn is a lively tune, in the key of D. It’s a jig, and in this lesson we’ll cover how to approach the right-hand to effectively capture the rhythm and pulse for the 6/8 time signature. Played at a fast tempo, this tune is well suited to the advanced picker, and this arrangement incorporates some advanced articulations for the right-hand. Go to lesson...
Father O’Flynn is a lively tune, in the key of D (standard tuning). It’s a traditional Irish jig, and in this lesson we’ll cover how to capture the rhythm and pulse for the 6/8 time signature. This arrangement uses the melodic technique, played at a fast tempo and is well suited to the advanced picker.
Father O’Flynn is a great tune, in the key of D. It’s a jig, and in this lesson we’ll cover how to approach the right-hand to effectively capture the rhythm and pulse for the 6/8 time signature. Played at a fast tempo, this tune is well suited to the advanced picker, and this arrangement incorporates some advanced articulations for the right-hand. Go to lesson...
In this mandolin lesson, we’ll take a look at O’Carolan #174, written by the blind Irish harpist Turlough O’Carolan in the 17th century. Well suited to the advancing beginner picker, the tune serves as a perfect study to develop right-hand technique in the 6/8 time signature. The title, devoid of a specific name, reflects the historical convention of cataloging O’Carolan’s vast repertoire by number. Go to lesson...
In this melodic banjo lesson, we’ll take a look at O’Carolan #174, written by the blind Irish harpist Turlough O’Carolan in the 17th century. The title, devoid of a specific name, reflects the historical convention of cataloging O’Carolan’s vast repertoire by number. #174 captivates with its intricate harmonies and emotive nuances, and this arrangement takes the beautiful melody and sets it on the banjo in a melodic style, very much creating a ‘harp’ like sound, well suited to the intermediate melodic picker.
John Ryan’s Polka is a well known traditional Irish polka, played in the key of D (Drop D Tuning). There are two variations within this arrangement, a basic version of the melody and a variation focused on the deeper tones in the drop d tuning with some interesting syncopation. It’s a fast tune, perfect for an advancing picker, and the basic version is great to get up to speed, while the variation adds a bit of flare to the tune! Go to lesson...
John Ryan’s Polka is a well known traditional Irish polka, played in the key of D. In this lesson, we’ll cover the basic melody, but as simple as the melody is, we’ll then turn our attention to increasing speed in our playing. We’ll cover several speed exercises and an important strategy to help in your progress. Go to lesson...
This is a fun trad tune, with three parts, played in 6/8 time. In the key of G (standard tuning), this arrangement features the single-string and melodic techniques, and playing both up and down the neck and is well suited to the advanced intermediate picker, working as a great study for the techniques featured.