The Connaughtman’s Rambles is a great jig in the key of D (standard tuning), played at a fast tempo, and suited to the advanced picker. There are two parts to the tune; both of which are extremely challenging for the picking hand, with some unorthodox combinations appropriate for the movement of the melody. Go to lesson...
The Monaghan Jig is an awesome tune in the key of Em (standard tuning), played at a fast tempo, and suited to the advanced picker. There are four parts to the tune, each presenting their own challenges; melodic, single-string, 16th note rhythms plus ensuring the 6/8 feel is accented. Spend some time on this tune, it will certainly develop your picking and will be a great addition to your repertoire! Go to lesson...
‘Hark! The Herald Angels Sing’ is a beautiful Christmas carol and in this banjo lesson, we’ll learn a lovely chord melody arrangement. In the key of G, the melody is supported by 3 & 4 part harmony, with some challenging chord positions, which would be suited too the advanced picker. This version sounds great as a solo banjo piece and is a great addition to your Christmas repertoire! Go to lesson...
‘We Three Kings of Orient Are’ is a beautiful Christmas carol and in this banjo lesson, we’ll learn two verse variations and a chorus variation. In the key of Am, first up, we’ll cover a basic, melodic version of the melody. We’ll then move on to a pretty chord melody version in the open position for the intermediate picker, with a lovely variation of harmony. The Go to lesson...
Backup Banjo (Part 1): Major & Minor Chords
Backup Banjo (Part 2): Celtic Backup
In this third part of the course, we’ll focus on the use of runs, fills, inversions & syncopation in our backup. With three example progressions: 12 Bar Blues, Folk Rock & Psychedelic Rock, we’ll explore these ideas while also learning the pentatonic box patterns that surround our chord positions. Go to lesson...
Backup Banjo (Part 1): Major & Minor Chords
In this second part of the course, we’ll look at five examples found in the Celtic genre; a Jig, Reel, Waltz, Polka & Hornpipe. With an example to work with in each tune variation, we’ll unpack the time signature, feels, accents and groove that we need to listen out for, all while exploring many backup options including; inversions, high tones, deep tones, passing notes, syncopation, staccato, etc…
Split in to 5 parts, the full lesson covers the following:
In this banjo course, we’ll be covering ideas that can be used to play backup banjo in styles such as Celtic, Folk, Pop, Blues, Jazz, etc. Learning about different time signatures, key signatures, vamping, rhythms, chords, grooves, triads, double stops and all the great information that will allow you to play along in any style of music. Go to lesson...
The Finnish Polka is a traditional polka, in the key of Bm. This arrangement is played in standard open G tuning gDGBD, and features the melodic technique, played at quite a brisk tempo. For the intermediate picker, the lively tune is a great technique workout, but equally as fun for the more experienced picker! Go to lesson...
Bound for South Australia is a traditional English/Australian sea shanty, that has become a popular folk song. In the key of D, this arrangement features the banjo tuning aDGBD, and has 2 variations: a single-string version down the neck, and a melodic variation up the neck. For the advancing beginner/intermediate picker, the lively tune is a great introduction for both techniques, but equally as fun for the more experienced picker! Go to lesson...
O’Carolan’s Dream has a beautiful melody composed by Turlough O’Carolan. In the key of Am, this arrangement features the banjo tuning gCGBD, giving us access to the lovely sounding open C on the 4th string – a real feature of the arrangement. Using the chord melody technique throughout, we’re able to support the beautiful melody with the chords we find in the harmony, allowing this piece to sound great as a solo banjo arrangement. Go to lesson...